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Monthly readings and dramatizations of stories by the world’s leading writers of suspense chosen from the magazine’s archives. The full range of the genre is represented in these riveting audio renditions, from the drawing-room mystery to urban noir—including police procedurals, private-eye tales, psychological suspense, and locked-room and impossible-crime stories. Visit TheMysteryPlace.com for more stories, book reviews, subscription info, and more.
A tale from Edgar nominee John Lantigua’s popular Willie Cuesta private eye series is featured in this episode of our podcast series. Readers are sure to enjoy this intriguing case, set in Miami’s Little Havana. Here is “The Cuban Prisoner” by John Lantigua, originally published in the September/October 2018 issue of EQMM and read for us by professional actor and voiceover artist Carlos Alayeto.
Teresa Solana received a nomination for the Edgar Allan Poe Award for her first contribution to EQMM, “Still Life No. 41.” The story was translated from Catalan by her husband, Peter Bush, and was featured in EQMM’s Passport to Crime department in March/April 2012. Reading that celebrated story for this podcast is EQMM’s associate editor, Jackie Sherbow. The tale is also included in a new digital anthology co-edited by Emily Hockaday and Jackie Sherbow, entitled Terror at the Crossroads: Tales of Horror, Delusion, and the Unknown.
https://www.bitterlemonpress.com/blogs/authors/19585859-teresa-solana
http://www.elleryqueenmysterymagazine.com/terror-at-the-crossroads-tales-of-horror-delusion-and-the-unknown/
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Edgar Allan Poe Award winner John Morgan Wilson has been contributing short stories to EQMM since 2003. Many listeners will know his long fiction, which includes the Benjamin Justice mystery series and several novels cowritten with band leader Peter Duchin. The California author’s short stories range from suspense to the classical whodunit. For this podcast he chose to read his twisty tale “Edward at the Edge,” from the January 2005 issue of EQMM.
This month’s podcast takes us back to 1968 and the debut of one of EQMM’s youngest contributors ever, Josh Pachter. At the age of sixteen the budding author and Ellery Queen fan produced this story, which saw print in EQMM's December 1968 issue, in the Department of First Stories. This month marks the fiftieth anniversary of that issue going on sale. In the ensuing years Josh Pachter has produced dozens of other distinguished short stories and collaborative works, as well as crime-fiction translations. To celebrate the fiftieth anniversary of his EQMM debut, a new story featuring the central character of this tale, Ellery Queen Griffen, appears in our current issue, November/December 2018, and the author has recorded for our podcast this reading of “E.Q. Griffen Earns His Name."
Our selection this month is by a writer who debuted in EQMM and has gone on to have work chosen for the yearly Best American Mystery Stories anthology and to appear again in EQMM and other publications, such as Alfred Hitchcock’s Mystery Magazine. Here is Chris Muessig reading his story “Bias,” from the July 2009 issue of EQMM.
Dramatic Interlude by Alexander Nakarada | https://www.serpentsoundstudios.com
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Attribution 4.0 International (CC BY 4.0)
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EQMM’s famous Department of First Stories is the source for this month’s podcast. The debut story, which appears in EQMM’s current issue, takes us into the life of a new writer who enjoys success, but at a cost. Author Nancy Novick, a medical writer, editor, and writing instructor, came to EQMM’s offices to do this recording of her story “How Does He Die This Time?” from the September/October 2018 EQMM.
Impatience by Punch Deck | https://soundcloud.com/punch-deck
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At the Malice Domestic convention in Bethesda, Maryland, this past spring, EQMM had the pleasure of recording Shelly Dickson Carr, author of the award-winning YA novel “Ripped,” reading a story by her grandfather, the great Golden Age mystery writer John Dickson Carr. The most celebrated master of the “locked room” mystery, John Dickson Carr contributed both fiction and book reviews to EQMM. His April 1950 story “The Gentleman From Paris" was one of the winners of EQMM’s Worldwide Short Story Contests.
A tale from EQMM’s Black Mask department is featured in this month’s podcast. We caught up with Con Lehane, author of two popular mystery series, at this year’s Malice Domestic convention in Bethesda, Maryland, where he did this reading of his September/October 2017 EQMM story “Come Back, Paddy Reilly”—a classic noir tale of a flawed character caught in an unresolvable dilemma.
This month we feature an Ellery Queen pastiche by Dale C. Andrews. The third entry in a series begun on the heels of the Ellery Queen Centenary Symposium at Columbia University in 2005, the story brings an elderly Ellery Queen, still at the height of his deductive powers, out of retirement. The first story in this series earned an EQMM Readers Award scroll and a nomination for the Barry Award. Here is Dale Andrews reading his story “Literally Dead,” from the December 2013 issue of EQMM.
Award-winning financial journalist Larry Light is also the author of three novels, two starring financial reporter Karen Glick. This year he made his EQMM debut with the story he reads for this episode in our podcast series, "Dysperception," from the January/February 2018 issue of EQMM.
